Preset waveforms can be loaded into oscillator 3 and there are 260 different ones to choose from. Ring and Frequency modulation can easily be dialled in, along with octave, detune and pulse width settings. Oscillators 1 and 2 can each be morphed between 4 different waveforms, then layer up a sampled waveform, sub-oscillator and noise profile. Mix 5 different oscillators to create the basis of your sound. The modulations don’t stop there almost any of Imperfect’s parameters can be assigned to the constantly shifting dual X/Y pads and played live or programmed with MIDI automation. Make your pads sound authentically analog and keep your arpeggios moving by adjusting these sliders to create all sorts of circuit-bending scenarios. Named “Wacky”, “Cracky” and “Shaky”, these functions introduce modulated effects, saturated harmonics and tuning inconsistencies. Where things start to get interesting is with the 3 special modulation sliders. The architecture behind Imperfect will be familiar to anyone who’s used a soft-synth before, with 5 powerful oscillators, envelopes, filters, LFOs and an arpeggiator. “Imperfect” aims to break that trend with wavering detuned oscillators, modulating effects and a whole host of other functions designed to put the analog fun back into synth programming.
Most digital synths out there offer easily accessible functions, pristine digital quality and precisely tuned tones.
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